Fluxus and a bit of Yoko-MAIR09

A Logo for Modern Art is Rubbish in Fluxus style font

Fluxus and a bit of Yoko

Today we are looking at Fluxus a playful 1960’s radical experimental movement.

It was Anti Art, it was more about life and the fact that anyone can be an artist and any action could be art. Thanks for downloading

What constitutes Fluxus art?

Fluxus is where art and life intersects, the artist Joseph Beuys once said “Even the act of peeling a potato can be an artistic act if it is consciously done.”

Now Fluxus is hard to pin down, you ask several Fluxus artists and you will get several different defintions.

Fluxus could be an “intermedia” event involving not just artists but musicians and poets. It could  be music performance  using household instruments or a strange sporting event, such as imaginary football.  It could be a painting made in the mind from a set of instructions. It could be a small puzzle box or board game usually made in multiple editions, that comes with a set of random incomplete instructions. A fluxus object  could be an all white chess set, or a vegetable chess set. For me  fluxus, is like life, a game with incomplete instructions. ……

A good example of a fluxus game was created by George Brecht.  Games and Puzzles (Bead and Swim Puzzles) from Flux Year Box 2. c.1968, Fluxus Edition. It was a box containing several small plastic balls of varying sizes 2 black one larger white one and a tiny read one. One set of instructions reads “Arrange the beads so they are the same. Arrange the beads so they different”

Before Fluxus

The Fluxus art movement was seeded with the work the composer of John cage, who since the 1930’s had been experimenting with music. His most famous piece was 4’33”, which was 4 minutes 33 seconds of musicians sitting and doing nothing for the length of the piece. The idea was that the ambient sounds of venue and the audience was the piece.

Fluxus in part was influenced by Dada, a nonsensical anti establishment and  satirical art movement,  which was a established during World War I. Also it should be noted the great influence that the ever playful Marcel Duchamp had on Fluxus art.


On the video below you can see John Cage perform a piece on a popular 1960’s American Game show I ‘ve got a secret.





In 1963, a Lithuanian born American, George Maciunas  walked onto to stage at an arts festival and threw copies of his Fluxus manifesto into the audience. This was a definable beginning of the Fluxus art movement.

Part of it read.

Purge the world of bourgeois sickness, ‘intellectual,’ professional & commercialized culture, PURGE the world of dead art, imitation, artificial art, abstract art, illusionistic art, mathematical art, — PURGE THE WORLD OF ‘EUROPANISM’

PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART, … promote NON ART REALITY to be grasped by all peoples, not only critics, dilettantes and professionals … FUSE the cadres of cultural, social & political revolutionaries into united front & action

In the late 1950s  and early  1960s, art galleries  were very stuffy and restrictive, they had very rigid and clear ideas as to was and wasn’t art, and what could be shown. The Fluxus movement challenged this view.

The Fluxus Art movement spread  across three continents and included many   artists including Joseph Beuys , Yoko Ono and Naim june Paik  (an early pioneer of video art).



Maciunas Art Works

George Macciunas  was born in 1931 and emigrated to New York in 1948.He trained as an architect and graphic artist. Maciunas was a prankster and a troublemaker. He regularly got in trouble with the New York authorities engaging with them in a form of Fluxus art combat. For Example he had buildings in Soho New York used for Fluxus Artists which he registered as for agricultural use, to get around authority regulations and laws. He regularly got arrested and subpoenaed, he  would respond with rude letters and on occasions strange photos of himself, such one with  him in a gorilla mask.

A He went on to create  fluxfilms and organise events and create objects. He died in 1978 though Fluxus art events still continue on today….


New Flux Year. c. 1967

One object he created was an oblong  box covered in fake orange snake skin, with the words top and pull written on it. When you pull the tab, out pops a spring loaded snake. The snake also sends confetti into the air with the words,  new Flux year written on it. It is a typical kind of Fluxus joke. Also leaves  the issue of having to pick up the confetti each time they want to engage with the artwork.


12 Piano Compositions for Nam June Paik (Nam June pake) 1962

Macciunas created instructional piano pieces for performance. This piece consisted of 12 compositional pieces with instructions.

These included

Composition 1 Let piano Movers carry  piano into the stage

Composition 3 Paint with orange  paint patterns over piano

Composition 9 Draw a picture of the piano so that the audience can see the picture

You can see the full 12 here on the Moma website.


The Flux Olmypiad

Maciunas had the idea of holding a Flux Olmypiad full of Flux style sports he never got to realise his dream.

It was a sporting event  including things such as stilts football and  and Flipper Races…


Fluxus continues today below is a burning piano piece by the Jazz pianist Yosuke Yamashita

A bit of Yoko

“I didn’t label myself. I didn’t think I was avant-garde, I thought I was me, just doing my thing.”

Yoko Ono is a multimedia artist, a pioneer of performance art.  She was born in 1933 in Japan to  a wealthy banking family. She moved to  the US in 1953 to study, she however dropped out to work on artistic practices in New York.

She met John Lennon in 1966. They collaborated on many music and art projects, including the “2 virgins Album” (an experimental music album  which featured  featuring yelps and Humms by  Yoko and John creating experimental sounds).  Also worth mentioning was their 1969 Fuxus bed piece in which they stayed in bed for 2 weeks inviting the press to attend. It was a protest against War.

Yoko has created works including, video, drawing,and perfomance performance.

Box of Smile

A small box with the word “box of smile” written on it, the box is empty except for a mirror in the bottom of it. When you open it and look inside you can’t help but smile.


Cut Piece, 1965

Whilst Yoko Ono knelt on stage members of the audience were invited to cut away at her clothing.

This was one of the earliest audience participation pieces, it would have to be an influence for other artists such as Marina Abramovitch.

“a form of giving, giving and taking. It was a kind of criticism against artists, who are always giving what they want to give. I wanted people to take whatever they wanted to, so it was very important to say you can cut wherever you want to. It is a form of giving that has a lot to do with Buddhism.…A form of total giving as opposed to reasonable giving….”3


In the gallery is a white step ladder, which you climb up to the top.  A magnifying glass is attached to the ceiling, if you look through it you can see the word yes writen in tiny letters.

This is work that  captured John Lennon’s imagination when he first met Yoko in 1966. She at the time did not know who he was.

Half-A-Room, 1967

Half -A-Room is an installation featuring various domestic objects cut in half and painted white

The Objects include such things as

Half-a-Garbage Can
Half-a-Sauce Pan
Half-a-Tea Pot
At the time Yoko was becoming estranged from her husband meant “ there was a half empty space in my life” She came up with the idea when she was in bed alone looking at the bed.

Instructional Art

In 1967 Yoko Ono released a book called “Grapefruit” full of instructional art


Among my instruction paintings, my interest is mainly in “painting to be constructed in your head.”

Yoko was credited as being a writer on the song imagine John Lennon was quoted as the idea coming from “But it was right out of Grapefruit, her book. There’s a whole pile of pieces about ‘Imagine this’ and ‘Imagine that.'”

Cloud Piece (1963)

“Imagine the clouds dripping. Dig a whole in the garden to put them in.”







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Author: Marcus

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